They’ve come to me for those reasons, and I want to give them more of that. So I think, what do I want from this job? What do I want to give them? They’ve come to me because they’ve seen my portfolio and all the things I put there because I thought they were good all the client work that I hate is not there. You have the brief, but when you really want the job, you’re so focused on giving what you think they want rather than what they actually want from you, which is you. It frees you from any assumed expectations that you have.
In an interview with film and game concept designer Ash Thorp on Thorp’s “ The Collective Podcast,” Moss said, “I love pitching for free. His relationship with clients begins with his sketches. As illustrator and Mondo Gallery art director Rob Jones puts it, “Solutions flit around like butterflies in his head at all times, and he just effortlessly nets one when needed.” Moss is in a unique position for a freelance designer. There’s not really much more to say than that with most of it.” There’s no real deeper meaning, it’s just a thing that I thought was good so I did it. “I think you can look at any piece of work that I’ve done and reverse engineer it, in terms of its intent. When discussing his body of work, Moss is quick to brush off its depth. For every Batman or Star Wars project in his portfolio, design work for a small indie film or a logo peeks in. Between the larger, more prominent entities you’ll find a sprinkling of odd commercial jobs. The portfolio of Winchester, UK–based Olly Moss is barely a decade old and already spans multiple creative disciplines: T-shirt design, limited-edition posters, comic books, video games, websites, branding and more.
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